Over 130 Optimized Signal Topologies. Twin Mic Preamps M-2B vacuum tube or HV-3 discrete solid state. Twin NSEQ-2 Mastering-Grade Parametric EQs vacuum tube or discrete solid state. Three Opto Compressor/Limiter Paths TCL vacuum tube, discrete solid state, passive.Twin Opto De-Esser Paths vacuum tube or discrete solid state. Vacuum tube or discrete solid state line level paths. Input coupling with or without MIT-01 audio transformer. 1/4 vacuum tube DI input route via tube or solid state gain path. Effortless, lifelike musical performance at all levels. Musically rich vacuum tubes available. Gold audio connectors, tube sockets, relays and switches. 3/8 thick radius extruded aluminum face plate. Durable black mirror-gloss anodized finish. Mil spec 16 gauge cold-rolled steel chassis. Ultra-clean toroid power supply: internal sub-chassis. Hand machined aluminum knobs, illuminated IT&T pushbuttons. Mogami Neglex OFC audio wiring. True audio VU meter for output level or dynamics gain reduction. Twin Topology Mic Preamplifier Selection. Switchable, Vacuum Tubes or Solid-State. Twin Topology EQ & Compressor. Frequency Response +0 / -3 dB (S/S). Sub 5 Hz to beyond 300 kHz.
131 dBu (SS, Common Source, Direct Out). THD + Noise (20 Hz - 22 kHz) (S/S). Common Mode Rejection Ratio (S/S). Input Impedance (DI - Instrument). Maximum EQ Boost/Cut Range (21 Step Detented).
EQ Frequencies, Low Range Switch (Centers - Peak/Shelf Selectable). 20, 34, 56, 100, 180, 270. 20 Hz - 220 Hz or 200 Hz - 2.2 kHz.
250 Hz - 2.5 kHz or 2.5 kHz - 25 kHz. High Range Switch (Centers - Peak/Shelf Selectable). 4.8 k, 5.8 k, 8.0 k, 10 k, 16 k, 21 k. Q = 0.4 to 4.0 Adjustable on middle ranges.
Q = 1.0 Fixed on low & high ranges. 2 ms to 100 ms. 80 ms to 3.0 s. Minimum 1.4 : 1, maximum 30 : 1. OFF, 4.9 k, 6.8 k, 8.2 k, 10.7 k , 12.0 k.
Selectable: 100-120, 200-240 V ac, 50/60 Hz. 19 W x 3.5 H x 15.5 D, 25 lbs.It makes a fabulously flexible and sonically excellent input conditioner wherever analogue sources are recorded individually. It manages to combine the best attributes of the company's dedicated mic preamps with their twin-topology equaliser and compressor systems, all in one compact box. The resulting package affords huge scope for experimentation, and sounds utterly fantastic.
Hugh Robjohns, Sound on Sound. Im an independent producer / engineer who has fallen in love with your products. I now own two 8-channel HV-3Ds and an STT-1 Origin.
Youve really got it down. Thank you for making it all work. Thank you, also, for taking the time to write decent manuals, and to ensure theyre proofread.
Chris Walla, Death Cab for Cutie. It has a million colors, so long as you are after shades of clean.I also love the fantastic sounding EQ and piece-of-cake-to-make-sound-good compression that tracks so beautifully. She has a huge dynamic range and they were having to ride the gain. They loved the STT-1 on the voice. She said Its not squashing me, when in fact it was cutting 9 dB on her loud notes. We had to look over at the needle to verify that it was compressing her: very transparent. It retained the integrity of her voice over the full dynamic range of the compressor. The STT-1 has both depth and presence.
Jim Meyer, Bass & Vocals, Jimmy Buffet Band. Major league sound - clean, crisp and the tubes are marvelous, just really love em. Im using a little bass roll off and barely 1 dB of compression. The compression is the finest Ive ever heard and the EQ just blends and enhances the whole.
Im using vacuum tube out on both stages, transformer out, and the loud sections just float gracefully, making the whole thing sound even better. Alexander Lim, DMA / Musica Records, New York. Way to go John as usual! I shudder to think of what our sound might be like today without Millennia electronics. Thanks a million times over.Jack Renner, founder & chief engineer, Telarc International. I finally got a new STT-1, and I suppose theres a million good things I could say about it, but in a nutshell, Im really impressed with how it offers 128 shades of transparent sound. For bass, I love the tube pre for old school sound, and the J-FET pre for more modern tones, and I love the DC-to-light frequency response and infinite headroom. Theres nothing like a clean preamp. And they have more gain than a Marshall factory.
I could go on and on.. The equalizer is simply wonderful on everything we ran through it, whether you¹re cutting or boosting. You might find a particular character EQ (maybe a Pultec) you like better for a given application, and there are digital equalizers that are more surgical, but it's hard to imagine any processor on the planet that can shape the sound more unobtrusively and sweetly than this one. You can crank bands way up (the range is ±15db) without it sounding the least bit electronic or harsh.Likewise subtle cuts, boosts, or shelving sound completely natural. The STT-1 Origin is a fantastic recording channel that can be amazingly versatile.
This level of gear requires a substantial investment, but in this case the price is appropriate and it's an investment in something that won't become obsolete and lose half its value before you get it home. Nick Batzdorf, Editor, Recording Magazine Review 2001.
The item "Millennia Media STT-1 mic pre EQ opto comp limiter de-esser channel" is in sale since Thursday, April 20, 2017. This item is in the category "Musical Instruments & Gear\Pro Audio Equipment\Preamps & Channel Strips". The seller is "studioarchitect" and is located in Virginia Beach, Virginia. This item can be shipped to United States, Canada, United Kingdom, Germany, Japan, France.