Focusrite Liquid Channel emulates API Neve Manley SSL DBX Helios Avalon Pultec

1 channel Mic pre amp or compressor unit. The liquid Channel has real transformers and hardware components inside. Settings are dialed in pretty much from the preset recall. You have additional internal EQ to use if you want. The Helios, Millenia, Neve, API, Avalon, Amek, Pultec, SSL, Trident, Big Blue DBX, Fairchild, and Red Focusrite emulations are stellar. I own a few of the real preamps like the Millenia, Neve, Helios 69, and Avalon and I have to say...... The Liquid Channel pretty much nails them. I have multiple Liq channels, 1 must go reluctantly. The compression section is amazing. It features emulations of all 4 circuit types: Optical, VCA, Vari Mu, and FET. I printed the software manual (Liquid Control) and the User Guide for you in English. I included the Emulations description page as well (Pg 2 of the user guide I put together for you).

You can use this unit standalone, as well as with the software integration within your DAW. Its got some rack rash on top and bottom of case.

Responsibly cleaned and sanitized before packaging. Its heavy: 22 lbs packed weight. FLAT e-BAL/CLEAN SOUND 10k ELECTRONIC Liquid Channel transparent transformerless mono mic-pre.

FLAT trfmr/CLEAN SOUND 10K Liquid Channel transparent transformer based mono mic-pre. THE GUV/BRIT MODERN SOLID STATE 1 Emulation of an AMEK Pure Path dual micpre. Amp (transformer-like amplifier) (UK) serial # unknown. VALVE/US MODERN HYBRID 1 Emulation of an APHEX Thermionics Model 1100 discrete Class A tube dual mic-pre. US TRANY/US CLASSIC DISCRETE 1 Emulation of an API 3124+ discrete quad mic-pre.

TRANY H/ US CLASSIC DISCRETE 1 HOT Emulation of an API 3124+ discrete quad mic-pre. SILVER 1A/US MODERN DISCRETE 1 H Emulation of an AVALON AD 2022 dual mono Class A pre-amp. (US) serial # 28136 (Impedance set to mic).

SILVER 1B/US MODERN DISCRETE 1 M Emulation of an AVALON AD 2022 dual mono Class A pre-amp. SILVER 2/ US MODERN TUBE 1 Emulation of an AVALON VT-737SP valve channel strip (US) serial # 12545. BRIT 70S/ BRIT CLASSIC DESK 3 Emulation of a CADAC G Series 268E console mic-pre. BIRD BRAIN/US MODERN SOLID STATE 1 Emulation of a CRANE SONG LTD Flamingo dual channel discrete Class A mic-pre.

BIG BLUE A/US /CLASSIC SOLID STATE 1 Emulation of a dbx 786 dual mic-pre. BIG BLUE B/US /CLASSIC SOLID STATE 1 L Emulation of a dbx 786 dual mic-pre. WASP 1/BRIT CLASSIC TUBE 1 Emulation of a DRAWMER 1960 vacuum tube compressor amplifier (UK) serial # 1002. SCARLET/ US BOUTIQUE TUBE 1 Emulation of a DW FEARN VT-2 dual channel vacuum mic-pre. FF ISA 110/ FOCUSRITE CLASSIC ISA 110 Emulation of a FOCUSRITE ISA 110 mono micpre.

/ EQ (UK) serial # 665. FF GREEN 5/ FOCUSRITE GREEN CHANNEL STRIP Emulation of a FOCUSRITE GREEN 5 CHANNEL STRIP(UK).

FF RED 1/ FOCUSRITE CLASSIC RED 1 Emulation of a FOCUSRITE RED 1 quad Class A mic-pre. BIG TUBE A/ US BOUTIQUE TUBE 2 L Emulation of a GROOVES TUBES VIPRE variable impedance pre-amp. BIG TUBE B/ US BOUTIQUE TUBE 2 M Emulation of a GROOVES TUBES VIPRE variable impedance pre-amp.

SAVILLEROW/ BRIT CLASSIC DESK 4 Emulation of a HELIOS console mic-pre. /EQ (UK) serial # unknown. DUNK/ US MODERN TUBE 2 Emulation of a MANLEY SLAM! NEW AGE 1/ US MODERN DISCRETE 3 Emulation of a MILLENNIA HV-3D 8-channel mic-pre.

NEW AGE 2A/ US MODERN HYBRID 2A Emulation of a MILLENNIA STT-1 mono mic pre/channel strip (US) serial # 0-161. NEW AGE 2B/US MODERN HYBRID 2B Emulation of a MILLENNIA STT-1 mono micpre. /channel strip (US) serial # 0-161.

Vacuum tube and transformer setting. BRIT DESK1/ BRIT CLASSIC DESK 1 Emulation of a NEVE VR CONSOLE mic-pre.

CLASS A 1/ BRIT 70S CLASS A 1 Emulation of a NEVE 33114 mono micpre. CLASS A 2A/ BRIT 70S CLASS A 2 H Emulation of a NEVE 1073 mono micpre.

/EQ (UK) serial # 7172K. CLASS A 2B/ BRIT 70S CLASS A 2 L Emulation of a NEVE 1073 mono micpre. CLAS AB 3A/ BRIT 70S CLASS AB 3 H Emulation of a AMS NEVE 1081 Classic mono mic-pre. /EQ (UK) serial # 50189/B.

CLAS AB 3B/ BRIT 70S CLASS AB 3 L Emulation of a AMS NEVE 1081 Classicmono mic-pre. OLD TUBE/ US 60S TUBE 1 Emulation of a PULTEC MB-1 fixed gain valve mic-pre.

RE-ISSUE/ MODERN DEUTSCH CLASSIC Emulation of a SOUNDS INCORPORATED TELEFUNKEN V72 valve mic-pre. BRIT DESK2/ BRIT CLASSIC DESK 2 Emulation of a SOLID STATE LOGIC SL 4000 G+ console mic-pre. SWISS ROLL/ SWISS MODERN TUBE Emulation of a STUDER D19 MicVALVE valve mic-pre.

Bass Warmth, Angel Zoom, Valve Drive Gain CCW, Valve Drive Clip CW (soft) settings. DEUTSCH 72/ DEUTSCH 60S TUBE 1 Emulation of a TELEFUNKEN V72 valve micpre. DEUTSCH 76/ DEUTSCH 60S TUBE 2 Emulation of a TELEFUNKEN V76/80 valve mic-pre.

BRIT TUBE1/ BRIT MODERN TUBE 1 Emulation of a TL AUDIO PA-1 dual pentode valve mic-pre. NASHVILLE BRIT CLASSIC DESK 5 Emulation of a TRIDENT-MTA A SERIES dual discrete console mic-pre.

/EQ (UK) serial # 1017208. VIKING 1/ DANISH CLASSIC TUBE 1 Emulation of a TUBE TECH MEC 1A tube channel strip (DK) serial # 9503. STELLAR 1A/ US 60S TUBE 2 H Emulation of a UNIVERSAL AUDIO M610 mono tube pre-amp. STELLAR 1B/ US 60S TUBE 2 L Emulation of a UNIVERSAL AUDIO M610 mono tube pre-amp.

FLAT COMP/ CLEAN SOUND FREE CONTROLS Focusrite Liquid Channel DSP compressor. TRANY C/ US CLASSIC DISCRETE 1C Emulation of an API 2500 stereo mastering compressor, (US) serial #0016.

TRANY A/ US CLASSIC DISCRETE 1A Emulation of an API 2500 stereo mastering compressor (US) serial #0016 Old/Normal/Soft settings. SILVER 2/ US MODERN TUBE 1 Emulation of an AVALON VT-737SP valve channel strip (US) serial #28150. LIVE SOUND/ BRIT LIVE SOUND 1 Emulation of a BSS DPR402 dual compressor/limiter (UK) serial #02-9983-B.

LONDON/ BRIT BOUTIQUE TUBE 1 Emulation of a CHISWICK REACH (UK) stereo valve compressor serial. WASP 2/ BRIT CLASSIC SOLID STATE 1 Emulation of a DRAWMER DL221X (UK) serial #1008X. WASP 1/ BRIT CLASSIC TUBE 1 Emulation of a DRAWMER 1960 (UK) vacuum tube compressor amplifier serial #1002. BIG BLUE A/ US MODERN SOLID STATE 1A Emulation of a dbx 160S (US) compressor/limiter serial # 000004 Standard compression setting. BIG BLUE B/ US MODERN SOLID STATE 1B Emulation of a dbx 160S (US) compressor/limiter serial # 000004 OverEasy compression setting.

US RADIO/ US CLASSIC SOLID STATE 1 Emulation of a dbx 165 compressor/limiter (US) serial # 1821. COPY CAT/ US MODERN COPY CAT Emulation of a EMPIRICAL LABS EL8 DISTRESSOR (US) serial # 1689.

VINTAGE/ US VINTAGE TUBE 1 Emulation of a FAIRCHILD MODEL 670 (US) serial # 530. FF ISA 130/ FOCUSRITE CLASSIC ISA 130 Emulation of a FOCUSRITE ISA 130 (UK) serial # F00069T. FF GREEN 5/ FOCUSRITE GREEN CHANNEL STRIP Emulation of a FOCUSRITE CHANNEL STRIP (UK) serial # GO05116. FF RED 7/ FOCUSRITE CLASSIC RED 7 Emulation of a FOCUSRITE RED 7 (UK) serial # FO6350T.

DUNK A/ US MODERN FET 1 Emulation of a MANLEY SLAM! (US) serial # SLAM120 (FET limiter). DUNK B/ US MODERN OPTICAL 1 Emulation of a MANLEY SLAM! (US) serial # SLAM120 ELOP (opto) limiter.

PRIMITIVE/ US CLASSIC TUBE 2 Emulation of a MANLEY STEREO VARIABLE MU (US) serial # MSLC61536. BIG GREEN/ BRIT CLASSIC OPTICAL Emulation of a JOE MEEK SC2 COMPRESSOR (UK) serial # 05-1038. NEW AGE 2E/ US MODERN HYBRID 2E Emulation of a MILLENNIA STT-1 (US) serial # 0-161 Solid state input, solid state compressor settings. NEW AGE 2A/ US MODERN HYBRID 2A Emulation of a MILLENNIA STT-1 (US) serial # 0-161 Vacuum tube input, Vacuum tube compressor settings. CLASS A 1 / BRIT 70S CLASS A 1 Emulation of a NEVE 2254/A dual/stereo compressor/limiter (UK) serial # 5008K.

CLASS A 2/ BRIT 70S CLASS A 2 Emulation of a NEVE 33609/B dual/stereo compressor/ limiter (UK) serial # 108. BRIT DESK1/ BRIT CLASSIC DESK 1 Emulation of a NEVE VR CONSOLE compressor (UK) serial # unknown. MEAT PIE/ BRIT 60S CLASS A Emulation of a PYE 84 4060/01 compressor/limiter (UK) serial # 60. GRINDER A/ BRIT MODERN DESK COPY A Emulation of a SMART RESEARCH C2 bus compressor (UK) serial # C217. GRINDER B/ BRIT MODERN DESK COPY B Emulation of a SMART RESEARCH C2 bus compressor (UK) serial # serial # C217.

MIX BUSS/ BRIT CLASSIC BUSS Emulation of a SOLID STATE LOGIC FX G384 stereo compressor (UK) serial # FX384-180. BRIT DESK2/ BRIT CLASSIC DESK 2 Emulation of a SOLID STATE LOGIC SL 4000 G+ console compressor (UK) serial # unknown. BRIT DESK3/ BRIT MODERN DESK 1 Emulation of a SOLID STATE LOGIC SL 510 (5000 series dynamics module) (UK) serial # unknown.

ACME 1/ US MODERN TUBE 3 Emulation of a SUMMIT DCL-200 dual compressor/limiter (US) serial # 0721076. ACME 2/ US MODERN TUBE 4 Emulation of a SUMMIT TLA-100A tube levelling amplifier (US) serial # 0120429. LEVELLER/ US CLASSIC TUBE 3 Emulation of a TELETRONIX MODEL LA-2A (US) valve compressor/limiter serial # 00227 (Silver face, pre-Harman). BRIT TUBE/ BRIT MODERN TUBE 1 Emulation of a TL AUDIO C-1 dual valve compressor (UK) serial # 121739.

VIKING 1/ DANISH CLASSIC TUBE 1 Emulation of a TUBE TECH CL-1B compressor (DK) serial # 04150. VIKING 2/ DANISH CLASSIC TUBE 2 Emulation of a TUBE TECH LCA 2B dual/stereo compressor/limiter (DK) serial # 04010. STELLAR 1/ US CLASSIC SOLID STATE 1 Emulation of a UNIVERSAL AUDIO 1176LN mono limiting amplifier, (US) serial # 1394 (Black face, pre-Harman; a re-issue of the Urei 1176LN). STELLAR 2/ US CLASSIC SOLID STATE 2 Emulation of a UREI MODEL 1176LN mono limiting amplifier (US) serial # 11854 (Silver face).

STELLAR 3/ US CLASSIC SOLID STATE 3 Emulation of a UREI/TELETRONIX mono levelling amplifier LA-3A (US) serial # 1584 Black face, 30dB switch setting on rear panel. STELLAR 4/ US CLASSIC OPTICAL 1 Emulation of a UREI LA-4 compressor.

Focusrite Liquid Channel Pro Strip. The Liquid Channel is a revolutionary professional channel strip that can precisely replicate any classic mic-pre and compressor. Combining radical new analog pre-amp technology with Dynamic Convolution techniques, The Liquid Channel fuses cutting-edge analog design with lightning fast SHARC DSP. Augmented by fully digital controls and optional remote software, The Liquid Channel provides the ultimate fluid vintage collection.

Rather than creating a similar sound to vintage units, as with modeling devices, The Liquid Channel precisely replicates their sonic behavior. This is achieved through Dynamic Convolution; the application of a unique, level-dependant set of responses to an audio signal. These measured responses, sampled at numerous levels and with every possible setting combination, are applied to the input stream on a sample-by-sample basis for accurate replication. Mic-pre replication can't be achieved with software alone.

Hardware is required in addition to account for the physical interaction with the microphone. As a result, Focusrite invested vast amounts of time and energy into designing and building the ultimate'liquid' preamplifier, able to match the input impedance and signal path (transformer or electronic) of the device being replicated. Not all vintage units are born equal. Second order harmonic distortion is a beneficial artefact of analog circuits (especially tube and transformer-coupled designs) providing the much-loved'warmth'. However, often two units of the same type will vary in the amount of second order distortion produced, so an additional control for modifying this vintage property is provided.

This allows for precise matching of the Liquid Channel to your own beloved mic-pre. The best of both worlds - analog and digital. The Liquid Channel combines a highly complex, massively flexible analog front-end with Dynamic Convolution processing, which utilises lightning fast SHARC chips and runs at sample rates of up to 192kHz.

The front panel controls are digital, with tactile rotary encoders; all parameters can be stored in one of 99 program memories. At the press of button, you can reload all mic-pre, compressor and EQ settings for an individual session.

If using The Liquid Channel in conjunction with a recording platform e. Pro Tools, both the session files and The Liquid Channel's program memory can be sent via standard data transfer methods, providing a completely mobile recording session. Perfectly replicated vintage classics with the power and ease of use of the digital domain. Infinite expansion and remote control.

The USB port on the rear panel allows remote control of The Liquid Channel, leaving the processor safely racked away. But that's not all.

The software application also serves as an archiving system for additional replicas and program memories, and permits downloads of additional classic units from Focusrite's website. So, The Liquid Channel is infinitely expandable. Loaded with 40 classic mic-pre and 40 classic compressor replicas. Endlessly expandable library of replicas via USB download. 99 program memories allow you to save every parameter.

File format provides easy transfer to other Liquid users. LiquidControl allows comprehensive control and archiving facility. 192kHz internal processing and ADC/DAC as standard.

Adjustable 2nd order distortion accounts for variance in vintage originals. Cascade two units for stereo-linking of all parameters. AES digital input: XLR female.

AES digital output: XLR male. Wordclock in: BNC, 75Ohm input impedance. Wordclock out: BNC, outputs regenerated buffered wordclock at selected sample frequency. Digital Link Bus in: RCA connector. Digital Link Bus out: RCA connector.

Sample rate: 44.1, 48, 88.2, 96, 176.4 and 192 kHz. SNR: 120 dB measured with 20 Hz/22 kHz bandpass A-weighted filter.

Frequency response: +/- 0.05 dB between 20 Hz - 20 kHz. Maximum input level: +22 dBu.

THD+N: 0.00035% (-109 dB). Dynamic range: 116 dB measured with 20 Hz/22 kHz bandpass A-weighted filter.

Maximum output level: +22 dBu. THD+N: 0.0007% (-103 dB). Gain range: +6 dB to +80 dB, switched in 1 dB steps. Frequency response: variable, set by pre-amp chosen. THD+N at analog out: 0.001% measured with a +4 dBu 1 kHz input signal with 20 Hz/22 kHz bandpass filter.

THD+N at AES digital out: 0.0005% measured with a +4 dBu 1 kHz input signal with 20 Hz/22 kHz bandpass filter. Mic noise: EIN = -126 dB measured at 80 dB of gain with 150 Ohm source impedance and 20 Hz/22 kHz bandpass filter. Noise at analog out: -92 dBu measured at +6 dB gain with 20 Hz/22 kHz bandpass A-weighted filter. Noise at AES digital out: -119 dBfs measured at + 6dB gain with 20 Hz/22 kHz bandpass A-weighted filter. Maximum input level: +16 dBu. Input impedance: variable, set by pre-amp chosen. Gain range: -10 dB to +10 dB, switched in 1 dB steps. 0 dB +/- 0.1 dB between 20 Hz and 20 kHz.

THD+N at analog out: 0.001% measured with a +18 dBu 1 kHz input signal with 20 Hz/22 kHz bandpass filter. THD+N at AES digital out: 0.0004% measured with a +18 dBu 1 kHz input signal with 20 Hz/22 kHz bandpass filter. Noise at analog out: -92 dBu measured at 0 dB gain with 20 Hz/22 kHz bandpass A-weighted filter. Noise at AES digital out: -120 dBfs measured at 0 dB gain with 20 Hz/22 kHz bandpass A-weighted filter.

Roll off frequency: switchable between 75 Hz and 120 Hz, frequency measured at 6 dB down point, 12 dB per octave roll-off. Distortion range: 0 to 15 where 15 (maximum) = 10% of 2nd-, 20% of 3rd- and 10% of 5th-order at 0dBfs (level-dependent distortion). Compressor In As Original - mode the parameter ranges will be the same as on the original unit being emulated.

In'Free' mode the parameter ranges are as follows. Threshold range: -40 db to 20 dB switched in 1 dB steps. Ratio range: 1:1 to limit. Attack range: 0.1 mS to 2.5 S.

Release range: 0.1 mS to 2.5 S. Make-up gain: -20 dB to +20 dB switched in 0.5dB steps. Frequency range: 200 Hz to 20 kHz. Frequency range: 100 Hz to 10 kHz.

Q: variable between 0.8 and 2.5. Frequency range: 10 Hz to 1 kHz. (W) x 3.4 in. (H) x 10.63 in. (D) ; 484 mm (W) x 85 mm (H) x 270 mm (D).

The item "Focusrite Liquid Channel emulates API Neve Manley SSL DBX Helios Avalon Pultec" is in sale since Friday, May 1, 2020. This item is in the category "Musical Instruments & Gear\Pro Audio Equipment\Preamps & Channel Strips". The seller is "fiddlebak" and is located in Cape Coral, Florida.

This item can be shipped to United States, Canada, United Kingdom, Denmark, Romania, Slovakia, Bulgaria, Czech republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, China, Sweden, South Korea, Indonesia, Taiwan, Thailand, Belgium, France, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, Bahamas, Israel, Mexico, New Zealand, Singapore, Switzerland, Norway, Saudi arabia, United arab emirates, Qatar, Kuwait, Bahrain, Croatia, Malaysia, Bangladesh, Brunei darussalam, Bolivia, Egypt, French guiana, Guernsey, Gibraltar, Guadeloupe, Iceland, Jersey, Jordan, Cambodia, Liechtenstein, Luxembourg, Monaco, Macao, Martinique, Nicaragua, Pakistan, Paraguay, Uruguay.