New Avedis Audio MD-7 500-Series Mic/Line Preamp Module MD7 Microphone Preamp

New Avedis Audio MD-7 500-Series Mic/Line Preamp Module MD7 Microphone Preamp
New Avedis Audio MD-7 500-Series Mic/Line Preamp Module MD7 Microphone Preamp
New Avedis Audio MD-7 500-Series Mic/Line Preamp Module MD7 Microphone Preamp
New Avedis Audio MD-7 500-Series Mic/Line Preamp Module MD7 Microphone Preamp
New Avedis Audio MD-7 500-Series Mic/Line Preamp Module MD7 Microphone Preamp
New Avedis Audio MD-7 500-Series Mic/Line Preamp Module MD7 Microphone Preamp

New Avedis Audio MD-7 500-Series Mic/Line Preamp Module MD7 Microphone Preamp

New Avedis Audio MD-7 500-Series Mic/Line Preamp Module - MD7 Microphone Preamp. Avedis Audio MD7 Mic Pre. Gain range from 0dB - 64dB in 4dB steps for recall-ability. Input Trim control for fine control of gain. Utilizes the discrete 1122 op-amp known for depth and resolution.

All discrete design with class A buffer amplifier. Wide bandwidth, high headroom, low noise. NO PAD, NO IC's, and NO Surface Mount Components. Line Input to interface with DAW's. Phase reverse, and filtered 48V phantom power.

High Pass Filter using a gentle slope for natural bass roll-off. No Pad: The game we all play trying to use Op Amp based pre's on drums and sources with high SPL's is now over when using the MD7.

Eliminating the pad gives the input transformer the level it wants to see. Not a padded, low signal. Taking full advantage of the input transformer without taming the input is priceless. Mic pads are obsolete after using this.

Many times the pads are used buzz killing your tone, then the output is attenuated leaving a more harsh midrange on an already brash pre. The DI: it's amazing and underrated. Ruler flat and captures lots of harmonics. Most DI's on mic pre's out there haven't been thought through so much. It from what I remember took longer than anything else in the design.

I find myself barely touching / protecting the DAW with a bit of compression or limiting. Works on everything I throw at it. I'm convinced that some of the unconventional methods I use have everything to do with the MD7 DI setting up the foundation.

Using plug ins to simulate guitar then end up using it in the final product (byproduct of eliminating bleed from other instruments during live tracking). Also had great luck with using the DI on the way in, then getting gain from LA2A's and other un-common sources. Not the same when MD7 was removed from the chain.

Send / Return: Very cool and allows for re-amping and allows for use with guitar effect pedals, unbalanced gear. Do this from pro tools or in real time on the way in. Very cool jam session the other night using a 2 drum mic set up with a fuzz pedal on the overhead in real time.

Set the vibe and got some very interesting results. Stepped gain: In 4dB steps. Really leaning on this one for quick recall.

Really noticed this when I compared a room mic on drums through an MD7 to both an API 512C and the 312s' found in 1608 console made by API. The API's sounded further away due to the fact that the transformers bottlenecked in low and especially higher frequencies. The MD7 sounded closer to the source. 10 Meg-ohm high impedance DI input great for all instrument pickups.

SEND feature to run signal through stomp boxes for variety of effects. Music is our love and we have GAS (Gear Acquisition Syndrome) just like you. We are musicians who write, record, produce, and play live just like you! Our gear changes on an hourly basis and so will our website, so check back often as you won't want to miss out on some unbelievable gear! We guarantee you that you will love doing business with us!

You will get the respect that you deserve! You have our word on that! 12302 SW 117th Court, Miami, Florida, 33186, USA. More than 20 years in business. Free tech support from audio experts.

Family-Owned and Operated Music Store. Please check with your local government for rates prior to purchasing an item from our store. Many manufacturers prohibit sales outside of the USA and we adhere to those set rules. Please learn about these charges before placing an order. Scitscat Music is committed to deliver the best experience for our customers. Instructions will be discussed with our friendly customer service representatives. Missing original packaging, manuals, accessories, or any contents that were included.

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We offer 10% off coupon on 95% of our items for Returning Customers within 90 days, please message us with your request. Q: What is a Demo unit? A: A Demo unit is an item that has been previously used for demo purposes or a video shoot. Q: What is a B-Stock unit?

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Listing and template services provided by inkFrog. This item is in the category "Musical Instruments & Gear\Pro Audio Equipment\Preamps & Channel Strips".

The seller is "scitscat" and is located in this country: US. This item can be shipped to United States, Canada, United Kingdom, Denmark, Romania, Slovakia, Bulgaria, Czech Republic, Finland, Hungary, Latvia, Lithuania, Malta, Estonia, Australia, Greece, Portugal, Cyprus, Slovenia, Japan, China, Sweden, Korea, South, Indonesia, Taiwan, South Africa, Thailand, Belgium, France, Hong Kong, Ireland, Netherlands, Poland, Spain, Italy, Germany, Austria, Bahamas, Israel, Mexico, New Zealand, Singapore, Switzerland, Norway, Saudi Arabia, United Arab Emirates, Qatar, Kuwait, Bahrain, Croatia, Republic of, Malaysia, Brazil, Chile, Colombia, Costa Rica, Panama, Trinidad and Tobago, Barbados, Bangladesh, Bermuda, Brunei Darussalam, Bolivia, Ecuador, Egypt, French Guiana, Guernsey, Gibraltar, Guadeloupe, Iceland, Jersey, Jordan, Cambodia, Cayman Islands, Liechtenstein, Sri Lanka, Luxembourg, Monaco, Macau, Martinique, Maldives, Nicaragua, Oman, Peru, Pakistan, Paraguay, Reunion, Vietnam, Uruguay.


New Avedis Audio MD-7 500-Series Mic/Line Preamp Module MD7 Microphone Preamp